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Sue Wilson: Federal rules give corporation-backed conservative radio all the local voices

By Sue Wilson - Special to The Bee

Published 12:00 am PDT Sunday, May 11, 2008
Story appeared in FORUM section, Page E4

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Christine Craft was a host on KSAC 1240AM's Talk City local radio show, "The Power Hour" from 2005-07. She is now a regular fill-in on San Francisco's KGO. Sacramento Bee file, 2004, Anne Chadwick Williams / awilliams@sacbee.com

 

There's a mournful hush in Sacramento these days, the empty sound of an entire political viewpoint quieted. More than 32,000 weekly listeners who once tuned to KSAC (1240 AM) to hear partisan Democrats beat up on President George W. Bush, now hear only Christian hip-hop.

There's nothing wrong with Christian hip-hop; it's a great outlet for artists breaking out of the gansta rap mold. But there are six other commercial radio stations licensed in the Sacramento area programming the Christian message. In the political realm, three local radio stations program 264 hours of partisan Republican radio talkers beating up on Democrats every week. Now, zero stations program any Democratic view whatsoever: 264-0.

This follows the national trend revealed in the 2007 Free Press and Center for American Progress study, "The Structural Imbalance of Political Talk Radio." Nationally, 90 percent of commercial talk radio is conservative; only 10 percent is liberal. (This study does not include Public Radio, which by statute is required to provide differing points of view. One is as likely to hear a Republican's views as a Democrat's. And NPR hosts don't beat up on anybody.)

KSAC shared another characteristic with other liberal radio stations: It had a tiny, 1,000-watt transmitter. Tough for a little station that barely reached Sacramento's suburbs to compete with 50,000 watt giant KFBK, whose signal stretches from Chico to Modesto, from Reno to that little town of San Francisco. Despite KFBK reaching millions more potential listeners, KSAC mustered an audience nearly 20 percent that of KFBK's. (Its ratings were double local conservative station KTKZ, which has a 5,000-watt transmitter.) And Arbitron showed the progressive station's audience was steadily growing. KSAC was the little station that could.

Until it couldn't.

It wasn't that Talk City didn't have listeners, it's that it didn't have advertisers.

The radio business model is simple: Start a show, grow an audience and advertisers will follow. But that model doesn't work for progressive talk radio.

Why would advertisers steer clear of progressive talk? Chris Jones, managing editor of the blog "the Hot Points," writes: "What respectable business is going to send millions of dollars in ad revenue to people who bash the president, the country and the war on a constant basis? Not only that, but liberals never miss an opportunity to bash corporations as evil and crooked. Why the hell would big business support the enemy?"

Well, wait a minute. Plenty of advertisers supported radio shows that bashed then- President Bill Clinton, calling his pursuit of Osama bin Laden "wagging the dog." But this misses the real point: Why are corporate dollars the sole arbiter of what information we the people get to hear on publicly owned airwaves?

The answer is policy-makers, with campaigns financed by those same corporations, changed two important rules. In 1987, then-President Reagan's FCC got rid of the Fairness Doctrine, which required that radio and TV provide a "reasonable opportunity to hear both sides of controversial issues." The Reagan administration thought the marketplace would provide its own balance.

Then, in 1996, Congress allowed a few companies to own unlimited numbers of radio stations. Huge conglomerates bought the best and biggest stations, and purchased multiple stations within the same market. Then they blanketed more than 1,700 stations with conservative talk. Using their newly created economies of scale, they offered businesses special packages to advertise on stations they owned both locally and nationally.

That in turn starved independent stations of revenue. It was good business.

But it shouldn't be only about good business; it should also be about public policy and the discourse demanded by Democracy, a discourse protected well by the founders of broadcasting but ignored by recent deregulation.

Broadcasters make a deal when they obtain – for free – a license to broadcast in a community. In exchange for the opportunity to make millions of dollars, the broadcasters must serve the public interest – the public interest of all of the people, not just a targeted slice of audience most likely to buy their product. It should not be solely about corporations willing to shell out millions to market their message and to keep business-friendly politicians in office.

Continue reading on next page

 

About the writer:

  • Sue Wilson, a former reporter and host for Capital Public Radio, is an Emmy award-winning television and radio journalist based in Sacramento. She is producing and directing a film about media policy and reform titled "Broadcast Blues," which she hopes to premiere this year. You can reach her at suewilsonreports@gmail.com.

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