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  • courtesy California Musical Theatre / Courtesy California Musical Theatre

    The Music Circus tent debuted in 1951. “Show Boat” was the first production.

  • courtesy California Musical Theatre

  • file

  • courtesy California Musical Thea / courtesy California Musical Theatre

    Historic Music Circus poster

  • courtesy California Musical Theatre / Courtesy California Musical Theatre

    The tent, which lacked air conditioning, was used through 2002.

  • Andy Alfaro / Sacramento Bee

    The Wells Fargo Pavilion was built on the old tent site and debuted with the 2003 season. “Cats” was the first show.

  • Leilani Hu / Sacramento Bee

    Leland Ball, center, directs a rehearsal of “The Music Man” for Music Circus in 2001.

More Information

  • Welcome. Together let’s share Essential Sacramento
  • California Musical Theatre

    www.californiamusicaltheatre.com

    (916) 557-1999

    Music Circus 2014 season

    Wells Fargo Pavillion, 1419 H St., Sacramento

    “A Chorus Line,” June 24-29

    “Mary Poppins,” July 8-13

    “South Pacific,” July 22-27

    “Brigadoon,” Aug. 5-10

    “La Cage Aux Folles,” Aug. 19-24

    Broadway Sacramento (Broadway tours)

    Sacramento Community Center Theater,

    1301 L St., Sacramento

    “Blue Man Group,” March 11-16

    “Sister Act,” April 8-13

    “Wicked,” May 28-June 15

Musical theater in the round a beloved summer tradition

Published: Thursday, Feb. 20, 2014 - 4:56 pm
Last Modified: Wednesday, Apr. 9, 2014 - 1:11 pm

The idea for Sacramento’s Music Circus has an astounding quality to it. Put professional theater productions in the round. Nobody does that. Nobody west of the Mississippi, anyway. Make it musical theater, classics of the truly American art form and run the productions one week at a time. That’s what producers Russell Lewis and Howard Young did in 1951 at the request of Eleanor McClatchy, the longtime president of The Bee.

What they started in a temporary canvas tent 63 years ago has become not only a beloved regional institution but the largest nonprofit musical theater in California. Originally known as the Sacramento Light Opera Association, the company is now called California Musical Theatre,e responsible for Music Circus and the Broadway Sacramento Series of national touring shows as well.

In 2003 the Music Circus moved into a new permanent $12 million air-conditioned, state-of-the-art facility on the site of the original tent. Still it is the summer season of original productions created just for the Sacramento audiences that are the heart and soul of CMT.

“It’s something that is so uniquely special,” said Richard Lewis, president and CEO of CMT. Lewis, the son of founder Russell Lewis, grew up around the business, moving from selling programs to stage managing and now running the company.

“To a large degree, Music Circus – what we do and what we were able to achieve even under the old canvas tent – really provides heart to this community,” Lewis said.

“Going to the theater, and in particular something so intimate, is very important around here. Going to the Music Circus has truly become a summertime tradition. In 1951 people were showing up wearing ties and coats. I know it was just as hot then as it is now.”

“Show Boat,” considered the first modern story-based musical, was the original show Lewis and Young produced in the canvas tent erected in the parking lot of the old Civic Repertory Theatre at 14th and H streets.

Since then more than 400 productions of 150 musicals have graced the circular Music Circus stage.

Producing theater in the round makes the Music Circus unique. While it allows for greater intimacy for the patrons (the theater seats 2,200), the configuration also creates significant artistic challenges.

There are no walls to hang scenery on and whatever sets are erected on stage must be minimal to allow all of the audience to see action unfolding on stage.

With no real backstage, actor entrances and exits occur on one of four ramps leading to the stage from outside the theater.

Music Circus has always staged classic musical theater titles, from “My Fair Lady” and “Oklahoma!” to more modern shows such as “Les Misérables” and “Jesus Christ Superstar.” But there was also a time when popular stars came to town. Variety shows by John Davidson, Steve Lawrence and Eydie Gorme, Engelbert Humperdinck and others were featured for a time, and even the show musicals had stars attached. Gradually the audiences decided they just wanted the shows done well, stars or no stars. The producers were happy to oblige and began casting the best talent out of New York, Los Angeles and here in Sacramento.

“We’ve grown as Sacramento has grown,” Lewis said. “Music Circus has evolved as Sacramento has evolved. It’s not about growing up or growing older, it’s about evolution.”

When Music Circus built its permanent indoor venue on the site of the canvas big top, Lewis said the goal was preservation.

“We’ve preserved not only the Music Circus as an institution by giving it a permanent home, but we also preserved the biggest thing that the audience wanted to hold on to – their relationship to the stage.”

The 32-foot-diameter stage remained at the center of the building with new amenities including air conditioning, upholstered theater seats and more restroom facilities.

Unlike the old tent, which required large support posts, the new theater has unobstructed views of the circular stage from all 2,200 seats, as well as greatly improved wheelchair accessibility.

The Sacramento Metro Chamber of Commerce inducted Music Circus into its Business Hall of Fame, acknowledging the company’s commitment to the growth and development of the Sacramento region, making it the first performing arts group so inducted.

CMT Executive Producer Scott Klier believes something magical happens at the Music Circus.

“There’s something going on under that roof that has yet to be explained,” Klier said.

“There’s some sort of molecular exchange between the audience and the actor that is inexplicable but essential to what we do. There is no venue that I’ve experienced a show in that does it as well as ours,” Klier said. “Musical theater is the most life-affirming art form. It celebrates the very best of mankind and incorporates the visual elements, the music, the dance.

“There’s no other art form that incorporates other disciplines in one performance like musicals do. It offers our community a unique experience, and it’s contagious.”


Call The Bee’s Marcus Crowder, (916) 321-1120. Follow him on Twitter @marcuscrowder.

Read more articles by Marcus Crowder



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