Synonymous with the holiday season, “The Nutcracker” is the Sacramento Ballet’s best-known production, a yearly opportunity for the company (and community members) to show off full-throttle classical dancing, backdropped by wintry grandeur of the imaginative tale. But the exhilarating onstage action — set to Tchaikovsky’s timeless score, of course — is only part of the large-scale production at the Community Center Theater. The Bee invites you to peek behind the curtain at a recent full-costume dress rehearsal to see exactly what goes into staging this Christmas mainstay, directed by Ron Cunningham and Carinne Binda.
by the numbers
The year “The Nutcracker and the Mouse King,” a dark fairy tale by German writer E.T.A Hoffman, is published.
The year of the world premiere of “The Nutcracker.” The director of Moscow’s Imperial Theater commissioned the two-act ballet, bringing on composer extraordinaire Pyotr Ilyich Tchaikovsky to write the music. In St. Petersburg, Russia, where it was first performed, it was not an immediate success.
The number of years later the first, full “The Nutcracker” was performed for American audiences, via the San Francisco Ballet. It became a national sensation about 10 years later with the New York City Ballet’s rendition.
The number of times “The Nutcracker” has been performed in Sacramento.
The estimated percent of Sacramento Ballet’s revenue “The Nutcracker” earns each year. For most major American ballet companies, the annual production is crucial for financial survival.
The number of chances you have left to see Ron Cunningham’s 26th annual “The Nutcracker.”
The number of remaining performances with live music from the Sacramento Philharmonic (ticket prices are slightly higher than those accompanied by prerecorded music).
by the numbers
The number of mice disguised and painted into Cunningham’s scenery (produced by French designer Alain Vaes at the very same shop where the original 1892 version was constructed).
The pounds of fake snow – confetti brightened by blue lights – used in each Community Center performance to create the Magic Snowflake Forest.
The number of watts of electricity consumed during every performance, in part because of...
The number of lights used to the illuminate the stage.
The number of costumes used in each show.
The dollar value of each hand-made Sugar Plum Fairy costume.
The pounds of Mother Ginger’s costume – the one that eight children hide under.
The number of dancers in this year’s production – 30 professionals and 500 youngsters, who come from as far as Stockton and Yuba City.
The approximate number of children who have appeared in Cunningham’s production over the years.
The number of people it takes to put on each performance of “The Nutcracker,” including the dancers, stage hands, make-up artists, ushers, chaperones, security staff and others.
The number of years Cunningham’s daughter, Alexandra, has been performing in “The Nutcracker.” She’s 26 years old. As dancers often stick with the show year after year, it can cross generations – the Cunninghams performed side-by-side on opening night as the Sugar Plum Fairy and Dr. Drosselmeyer.