Metallica front man James Hetfield reached out to first-time Metallica concert goers Tuesday night, assuring them they were just as much part of "the family" as veteran fans.
Hetfield and company immediately followed this lovely gesture by playing "Broken, Beat and Scarred" and "Cyanide," two songs from Metallica's 2008 album "Death Magnetic."
Warm, fuzzy and familial mean different things to different people. To Metallica fans, they mean a wall of sound barreling toward them at 90 miles per hour and lyrics full of conflict, isolation and desolation.
To these fans, Tuesday night's sold-out concert at Arco Arena was mother's milk.
There is just something soothing -- at least in that head-banging, devil-horn-throwing sort of way - about Metallica's repetitive, cavalry-is-coming riffs, just as there is comfort in knowing the band's "power ballads" eventually will become more like Hoover Dam ballads.
The Bay Area band is so dependably hardcore and nihilistic that it almost seemed unnecessary when Hetfield, in first addressing fans from the stage, promised to make everybody happy. The 15,000 or so people in the crowd -- many of them male and clad in black -- already were being made happy by lead guitarist Kirk Hammett 's frequent solos.
Moving from dirge-like to Dick Dale in an instant, Hammett tore up "All Nightmare Long" from "Death Magnetic," the album that returns the 2009 Rock 'n' Roll Hall of Fame inductees to their thrash-metal roots. Songs from "Magnetic" dominated Tuesday night's set list and allowed Hetfield, Hammett, bassist Robert Trujillo and drummer Lars Ulrich to show why their band is without rival in built-for-speed musicianship.
Metallica was solid while playing more melodic hits from the 1990s such as "Enter Sandman" and "Nothing Else Matters." In general though, the faster and heavier the song, the better the band sounded.
Powerfully precise, the foursome maintained a musical unity despite a concert-in-the-round format that allowed fans greater access but separated the musicians by positioning them at various points on the stage.
Hammett and rhythm guitarist Hetfield only occasionally jammed face to face. The in-the-round format also limited the crouching bassist/goateed front man interactions of Trujillo and Hetfield. Trujillo's center of gravity is so low that his electric bass almost becomes an upright.