A 1963 play by German Peter Weiss with a long title – “The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade” – is commonly known as “Marat/Sade.”

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A tinge of high and lonesome twang comes naturally to Beth Malone. It’s a perfect attribute for an actress playing Ensign Nellie Forbush, the naive Midwestern nurse of Rodgers and Hammerstein’s “South Pacific.”
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For many Americans, World War II was a crusade for democracy and freedom as well as a fight against injustice. But the war also highlighted the harsh realities of racial prejudice and stereotypes both at home and abroad.
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The Music Circus production about an inscrutable nanny will appeal to children and adults as well.
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California Musical Theatre artistic director Glenn Casale would probably be a great mathematician or an excellent puzzle maker. He enjoys creating problems to solve and dislikes doing the same thing twice.

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Twenty years before he touched Howie Mandel’s scalp on national television – mysteriously taking away the talent-show judge’s ability to read – Leeman Parker fell in love with magic at the California State Fair at a booth that taught card-and-coin tricks. Born and raised in Wilton, Parker performed his first illusions for a talent show at Dillard Elementary School soon after.

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