The nearly three-year wait since Steven Spielberg’s last movie (2012’s “Lincoln”) comes to an end this October with the spy thriller “Bridge of Spies.”
There won’t be another gap like that for a while. Having just locked “Bridge of Spies,” Spielberg is already editing his next film, Roald Dahl’s “The BFG,” and is in pre-production on “Ready Player One,” a sci-fi adventure from Ernest Cline’s best-seller.
It’s a pace that Spielberg, 68, says he plans to continue.
“I’m doing a long stretch of directing over the next several years,” Spielberg says. “We put our last child into college. Number seven went to college last week and (wife Kate Capshaw) and I are enjoying the empty nest. It gives her a chance to get more involved with her art – she’s a wonderful painter – and it gives me a chance to direct movies back to back now.”
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In “Bridge of Spies,” due out Oct. 16, Tom Hanks stars as James Donovan, a lawyer the CIA recruited to rescue a spy pilot downed in the Soviet Union.
Here’s what else Spielberg had to say.
Q. What attracted you to “Bridge of Spies”?
A. I’ve always wanted to make a spy movie. … I’ve always been fascinated with the entertainment value of the James Bond spy series of movies, as well as the serious John le Carré spy novels, especially the Martin Ritt movie “The Spy Who Came in From the Cold.” Also spy pictures like “The Quiller Memorandum” and “The Ipcress File,” and “Torn Curtain” by Hitchcock in the ’60s.
Q. Were you interested in making a film set during the Cold War?
A. It’s something that made a big impression on me as a kid. We were shown instructional 16mm films of what to do in the event of the air raid sirens going off or seeing the flash and ducking and covering under your desk and holding, hopefully, a very large book over your head.
Q. Do you see a connection between that time and today?
A. There’s so much relevance between the late ’50s and today. We fly drones today; they flew U2 spy planes over Soviet Russia in the ’50s. Our story is also about the shooting down of Gary Powers’ U2 and the apprehension of a Soviet spy working in this country for over a decade: Rudolph Abel. And the negotiator – a fish out of water – an insurance attorney who used to be the associate prosecutor at the Nuremberg war-crime trials who was called upon to defend an alleged Soviet spy, and the kind of charged atmosphere he was willing to endure to see justice served. It’s a story about a very righteous, principled individual – and for Tom Hanks, it’s right up his alley.
Q. This is your fourth film with him.
A. Every collaboration is better than the one before.
Q. You caused a stir two years ago when you predicted Hollywood was headed toward an “implosion” because of the over-abundance of mega-budget movies. Do you still feel that way?
A. I do. I still feel that way. … There will come a day when the mythological stories are supplanted by some other genre that possibly some young filmmaker is just thinking about discovering for all of us.
Q. Were you surprised by the success of “Jurassic World,” on which you were an executive producer?
A. I would have been ecstatic if we had done what the town was expecting, which was a $100 million three-day weekend. That would have just made my whole year. But the fact that it did over twice what the prognosticators were predicting, it just blew me away.
Q. “Bridge of Spies” is the first film in years you’ve made without John Williams composing the score.
A. Johnny Williams will be back to do “The BFG.” We’ve only not worked together twice in 42 years. … This is just a blip and we’re both sad about it, but we’re excited to get back together for “BFG.”