There’s a scene halfway through “Bad Moms,” wherein a PTA meeting full of suburban moms turns into a full-on frat house-style rager. Moms in sweater sets, khakis and sensible sneakers chug liquor straight from the bottle, make out, huff whippets, crash tricycles and urinate on lawns, all in glorious slow motion, hair and spittle flying to a pulsing pop beat. It’s featured heavily in the trailer for the film, and is the best scene in the movie. Bad mothers? Shut your mouth.
With white on black titles on the screen and vintage jazz on the soundtrack, “Cafe Society” opens the way Woody Allen films have opened for time out of mind. But this one, this one does things a little differently.
Fourteen years after the first “Ice Age” animated film was a hit, the fifth installment in the franchise, “Ice Age: Collision Course,” rolls into theaters. Is it inevitable? Yes, 2012’s “Ice Age: Continental Drift,” was the highest-grossing animated film that year. Is it necessary? Absolutely not. “Collision Course” is simply a perfunctory, watered-down entry in the series that feels like it should have been released on home video.
“Jason Bourne” delivers everything that we expect from this franchise. We want Matt Damon making swift, brutal work of his enemies. We want him burning rubber on narrow European streets. We want CIA bigwigs, illuminated by the glow of computer screens shouting “enhance!” at surveillance footage and exclaiming in awe: “It’s Bourne.” All of that is here, gloriously.
“Captain Fantastic” is about the fantasy of being able to create a perfect world for your children, and the crushing realization that such control is ultimately impossible. Ben (Viggo Mortensen) pursues this ideal in a particularly extreme way – by removing his family from society altogether and creating his own little utopia in the Pacific Northwest wilderness.
The release of “Absolutely Fabulous: The Movie” is genius counter-programming against the other massive media story of the week – the Republican National Convention. This outlandish, flamboyant British trifle is like a glass of champagne directly to the face of these dog days of a very trying summer. We could all use a dose of escapism, and “Ab Fab” is a big, bright and viciously bold celebration of funny, flawed women, and the friendship that sustains them.
When the “Star Trek Beyond” cast and filmmakers gathered in Los Angeles last month for Anton Yelchin’s funeral, they had a decision to make. Their film, the third in the rebooted series, was coming out in less than a month and a rigorous press tour was imminent. They could either put themselves out there to promote the film in the raw and devastating weeks following the death of their beloved co-star, or they could withdraw.
David F. Sandberg’s excellent horror flick “Lights Out” is a film about common fears and universal phobias; about things that go bump in the night, and exist only in the dark. Built on a clever premise, the film is executed seamlessly. It’s the best expression of a low-budget horror flick: resourceful and smart, where the most charismatic character is the ghoul itself. At a lightning-quick 81 minutes, Sandberg creates a thoughtful and very scary world in “Lights Out,” a spooky tale about what happens when the demons in your head come out to play.
“Breaking Bad” was the turning point of Bryan Cranston’s career, the moment when he went from goofy “Malcolm in the Middle” sitcom dad to masculine antihero emblematic of the “Golden Age of TV.” It’s the mid-life crisis of suburban sitcom dads who find out that they really like being bad. It’s a role that will most likely define Cranston for the rest of his career, and in his latest film, “The Infiltrator,” it’s impossible to not see his performance through the lens of Walter White.
Sliding into theaters on a river of slime and an endless supply of good vibes, the new, cheerfully silly “Ghostbusters” is that rarest of big-studio offerings – a movie that is a lot of enjoyable, disposable fun. And enjoy it while you can because this doesn’t happen often, even in summer, which is supposed to be our season of collective moviegoing happiness. The season when everyone jumps on board (whee!) and agrees that, yes, this great goof is exactly what you were thinking when you wondered why they didn’t make summer movies like they used to.
In the spirit of improvisational comedy's "yes, and" method of developing a scene: Yes, "Don't Think Twice" is one of the best films of the year. And it's an unusually delicate movie about the brutal business of being funny for a living.
Mia, an aspiring actress, and Sebastian, a dedicated jazz musician, are struggling to make ends meet in a city known for crushing hopes and breaking hearts. Set in modern day Los Angeles, this original musical about everyday life explores the joy and pain of pursuing your dreams. The film starring Ryan Gosling and Emma Stone has a release date of Dec. 2, 2016.
Watch: Movie trailer for 'La La Land' starring Ryan Gosling, Emma Stone
Watch movie trailer for 'Central Intelligence' with Dwayne Johnson, Kevin Hart
'Finding Dory' movie clip: Jewel of Morro Bay, California